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Spring
These daffodils in a blue vase, the ones my daughter gave us, like old-fashioned telephones, their pretty flower faces leaning outward in all directions, as though eager to save us by collecting news: they come out of the night of their blue vase, the inky light, and spread their curiosity, their eager concern. How is it in the world of men? they ask from the world of flowers. Their quick souls may be pure, because their time’s so brief, but they are here when we call for them. They seem so centered, their symmetrical faces with no ups or downs. They incline their heads with momentary insight. Remember color, they tell us. Remember delicacy. Remember the fine little thingsyou may be neglecting, and sniff our petals. That’s airfrom another planet. Don’t you like it better?
2. Car Ride, First Day of Spring
Dan and I leave late for synagogue. Why does he go? Because his girlfriend (who goes to church) approves. But on the ride over, the gray pelt of the woods showing the first red tinge of spring, he talks about moving up to Vermont (where she lives) and I reply by suggesting he might consider therapy. No, he says, he wouldn’t want to tell her. No guile, no secrets. In our synagogue’s loft, a circle of gray heads exploring the branches of mystical texts, the more minds the better. Godliness begins in humility. That said, how does it apply? On the ride back, do I try to find a way to persuade him, or practice the small courtesy of silence, and give him a chance to breathe, to think? The air says, He’ll survive, even if he moves up there.
3. A Visit from the Tree Man
Easy to understand how Chekhov’s characters must feel when we survey our yard with Pavel, the tree man, and he shows us the cedar hit by lightning, its bark peeled, or the crab apple, hollowed out, ready to slam into the house in a strong north wind. Our strength is failing, our years are numbered, and now even the trees are aging and need care. We stand here hailing our posterity. We’re sorry to leave you these acres of dead wood and scrambled branches. It’s true old trees bloom with heartbreaking loveliness. So we struggle, in our feeble way, as you will. Like you we wished for a simpler life than this one turned out to be, and yet feel grateful for the spring, each time it appears, and plant a few saplings that won’t look good for years.
4. An Errand
Approaching the bank, with its mulched plantings, its instant strip mall landscaping, I feel once more that I’m reliving an errand my father must have done for me. I can’t remember the specifics. But once again I’m giving money to my son. I’m cheerful with the young teller when she tells me it will hit his account today. He’s somewhere up north. His new landlord, a fellow who works in construction, has asked Dan to pay first and last month’s rent. I can see the check in Dan’s crab-like writing in that man’s hand and it’s a good check. It hasn’t bounced. Indirectly it’s like a letter from me. I’m sure my dad did this errand dozens of times. Making deposits. The sum’s forgotten. Incalculable. He’d sign, and it was done.
5. Travel
“Going on Nan’s painting trip?” her student asks. She’s staring hard at me, as though she’d like to come along— while I’m mostly nervous, I tell her. This feeling lasts till departure: like preparing for death. The wrong attitude, I know. Terrible to be so self-delighting I don’t want to leave my reading chair, or the screen of my computer. And just now the garden is fighting for my attention, the cherries like veiled brides, the peonies shooting up near the door, their buds the size of marbles waiting to unfold—after we’re gone. Aunt Molly loved them, and now so do I, and I recall the marvel of their thick old-lady perfume, and think of the folly of travel. “Packing,” I explain. “We’ll get through it. Married to Picasso,” I shrug, wondering why I do it.
6. Final Affairs
I leave a note on the kitchen table, not to be opened unless Something Bad happens. Each departure reminds us of the big one, I guess. Yet it feels dopey to be addressing my kids from beyond my grave, sure they’ll be feeling traumatized, an upheaval in their universe, as when my mother quietly, predictably passed away and the still-unexpected call divided my life, irreversibly. On one side, I had a mother, someone who would say mother sorts of things to me—since her flesh used to enclose me— and on the other side the naked silence of an orphan. “What did you write?” Nan asks. “Oh. About the key to the safe deposit, and how, if they retrieve our bodies, we’d planned on Edgell Grove—unless you want that spot in the Jura, above a valley?” “No,” she nods. “I like to think of people visiting me.”
7. Real Estate
“So if someone gave us—” and here she names an astronomical sum— for our house, “what would we do?” She wants my opinion? We’re walking through our garden, but we’ve recently come from synagogue, part of the faithful minion studying the law. Sabbatical. Jubilee. The house isn’t ours, anyway—that was this morning’s teaching— that neither space, nor time, nor even sovereignty over the self, are really ours. I guess we’re reaching the age where we know that, but still our borrowed trees reach heavenward into the blue sky that’s been loaned to us, along with our will to be together. Down on her knees in the flower patch, weeding, this world that’s been shown to us is enough, she tells me. “Maybe you have a thirst to wander. But I have lifetimes to spend here first.”
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©Alan Feldman 1999-2006
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