September 8, 2026
Center for Inclusive Excellence Welcome Reception
Wednesday, Sept. 9, 1 to 3 p.m.
Center for Inclusive Excellence, O'Connor Hall 120
Join the Center for Inclusive Excellence (CIE) for our Welcome Reception! This event is an opportunity for students who identify as BIPOC, LGBTQ+, First Generation, members of historically minoritized communities, and allies to connect and build community at Framingham State University.
Meet the CIE team and campus representatives while learning about the Center’s resources, programs, events, and community connections. Enjoy activities, opportunities to win CIE merchandise, refreshments, and live entertainment!
Dress for Success
Friday, Sept. 11, 11 a.m. to 1 p.m.
McCarthy Center Lobby
A clothing prep event before the career fair provided by the Dress for Success nonprofit.
Planetarium Show: Pink Floyd - The Dark Side of the Moon
Friday, Sept. 11, 6 p.m.
McAuliffe Center Planetarium, O'Connor Hall
Don’t miss your final chance to experience the cosmic celebration of one of the greatest albums of all time. Over 1 million people worldwide have now seen the unforgettable audio-visual journey celebrating Pink Floyd’s legendary album, The Dark Side of the Moon.
Tickets required. Recommended for ages 13+
New Mazmanian Gallery Exhibition: Remapped, Remembered, Remade
September 2 - October 26, 2026
Panel Discussion and Reception: Monday, October 26 at 4 pm, moderated by Ellie Krakow, exhibition curator
Remapped, Remembered, Remade brings together artists Rachelle Mozman Solano, Mónika Sziládi, and Jonathan VanDyke in an exhibition that considers collage – broadly defined – as a method for grappling with place, time, and transformation. Across distinct practices, each artist engages processes of assembling, fragmenting, and reconfiguring materials and images to explore how identities and histories are formed, layered, and continually revised.
Working between New York and Panamá, Rachelle Mozman Solano’s materially rich works draw on personal and collective histories of migration across the Americas. Merging bodies, landscapes, and plant forms, her work approaches land as a living archive of multiracial experience, where psychic and physical inheritances intertwine. For this exhibition, Solano’s photography, painting, and collage are connected through recurring symbols, including a shell, a hollowed head, and a gaze, and shared strategies of performance, framing, and layering. These echoes invite viewers to seek out connections across the works and consider the networks of meaning that emerge between them.